
Colour wise
This month, I want to talk about paint. I can’t think of a single Castellum project that has not featured paint, or a single person that lives in a house without paint. People have been painting their houses since forever; even cave dwellers used natural pigments to cheer up their caves! Ancient Egyptians (C 3,000BC) used a lime-based whitewash to coat their walls for both practical and ceremonial reasons (these early coatings helped to reflect sunlight and acted as a primitive disinfectant). Ancient Greeks and Romans too used natural earth pigments (mixed with binders like milk and eggs) and the Romans were particularly advanced in using frescoes and decorative painting. Paint was important as a preservative, but it also reflected social standing and indicated wealth.
During the Middle Ages, paint remained largely utilitarian and lime-washes and oil-based coatings were applied by hand. Painting became a skilled trade and techniques such as tempera and fresco painting were refined in more affluent homes and religious buildings. The Renaissance (14th–17th centuries) brought a rebirth in architectural design and interior decoration, particularly among the elite.
As with so many things, it was The Industrial Revolution that saw the birth of modern paint and mass production came about in the late 1800s, making paint more accessible and affordable as synthetic pigments, binders and chemical processes evolved. Painting was, by now, more widely used both for protection of materials like timber, but also for self expression and personalisation and, by the post World War II Boom, there was a massive demand for house paint. The 1950s and 60s saw the introduction of latex and vinyl paint (which made it easy to apply and popular with the DIY market). However, with this, came less welcome advancements: the use of lead (commonly added for durability and colour vibrancy) until it was banned due to health risks and Volatile Organic Compounds (VOCs) which are present in all paints to a certain degree but found in high concentrations in many oil based paints and which release harmful fumes that contribute to indoor air pollution.

Today, when it comes to choosing paint, colour is still the first thing people think about (and it is definitely the most fun to consider!) Colour selection has a unique power to influence a space that is nothing short of remarkable. However, what is also worth considering, is the impact of paint that is not immediately visible and, with further technological advancements, we do now have the opportunity to make good decisions with absolutely no compromise on colour choice or
At our recently completed retro-fit project for the Grosvenor Estate, Graphenstone were the chosen sustainable paint supplier and I caught up with Greg Norman, Head of Key Accounts, to talk all things paint. “Graphenstone’s paints have been certified with one of the world’s lowest profiles in C02(e) which includes its significant C02 absorption ability, during the curing process. Our products comply with building standards such as BREEAM, WELL & LEED, while offering unmatched performance. Based on natural minerals, that have been trusted for millennia, Graphenstone offers a greater range of globally recognised harm-free certifications than almost any other brand, tested using rigorous independent analysis.” Greg’s chat is compelling and I find myself wondering why you wouldn’t use it?
Graphenstone have collaborated with English Heritage to offer an expanded house range of 120 shades, an ‘NCS’ range of 980 colours and, if you still can’t find the perfect shade, they can colour match anything. Greg tells me that almost the first thing he is asked about when it comes to talking about his brand is colour. “Colour is the last thing I want to talk about. If you will pardon the pun, we have that covered.”
Greg acknowledges that “A common misconception is that eco-friendly paints don’t perform as well as their traditional counterparts. However, advances in technology mean that many sustainable paints now offer equal – if not superior – durability, colour retention, and coverage. Graphenstone infuse their lime and mineral-based paints with a patented graphene polymer – which transforms the milky lime wash-like base into a paint that is applied and performs just like standard paint – but without the petrochemicals. Switching to sustainable paint is an easy and impactful change. It safeguards your health, protects the environment and aligns with a broader movement toward responsible living – all without having a major impact on cost.” Graphenstone is surprisingly competitive when it comes to pricing.

The UK government has been increasingly tightening regulations on building materials to reduce environmental harm. The push toward Net Zero and stricter rules on VOC content in household products align perfectly with the use of sustainable paints. By choosing them, homeowners not only stay ahead of regulations, but also support a growing market for greener alternatives.
Many sustainable paint brands operate under strong ethical principles, using fair labour practices and sourcing ingredients responsibly. By choosing such products, you’re supporting companies that prioritise both people and the planet – a small choice that contributes to a much larger impact. Adopting sustainable paints is a simple, yet effective way to make your home greener. It’s a change you can make without major renovations or expense.

Having said all of that, can we just talk about colour?
- Red is a powerful and attention-grabbing colour. It’s often associated with passion, urgency and danger. This is why red is used in stop signs, emergency vehicles and sales tags. It can raise heart rates and stimulate appetite, which is why many fast-food chains use it.
- Blue, on the other hand, has a calming effect. It evokes feelings of trust, stability and peace. This makes it a popular choice for corporate logos and social media platforms. Interestingly, blue can also suppress appetite, possibly because blue foods are rare in nature.
- Yellow represents energy, optimism, and warmth, but in excess, it can also create feelings of anxiety or agitation. It’s a high-visibility colour, often used to grab attention – think of caution signs and, especially in our world, high vis clothing.
- Green is closely tied to nature and renewal. It’s restful for the eyes and is associated with balance and harmony. Many healthcare and environmental organisations use green for its soothing and reassuring qualities.
- Black signifies elegance, mystery and power, but it can also evoke feelings of sadness or intimidation. It’s often used in fashion to convey sophistication.
- White conveys cleanliness, purity and simplicity. It creates a sense of space and clarity, which is why it’s common in minimalist design and healthcare settings.

Setting the tone
Luxury doesn’t always mean bold – often, it means carefully curated. The right colour can create a seamless flow from room to room, setting a consistent tone of class and exclusivity.
Maximising architectural features

Power play
Creating a narrative
Choosing paint colours for a luxury home is far more than a decorative decision – it’s a foundational aspect of design that affects perception, emotion and value. Colour has the ability to elevate a property from beautiful to breathtaking. It’s the subtleties that count and colour is one of the most powerful subtleties of all. I still can’t think of a single reason not to make that a sustainable choice.

In other news…
This month we have been as busy as ever networking and it has been a treat.
The Banus Cup 2025


Howden invited us along to the superb Barn Theatre in Cirencester as they relaunched their Business Club. With over 50 local businesses in attendance, it was an informal mingle over drinks and delicious canapés, prepared by the team at Teatro (the on-site restaurant which is well worth a visit). We then got to watch their latest production, Educating Rita, which was absolutely superb!
Later in the month, we hosted Corrigan Gore at the Rose Charity Clay Shoot Day at the Ian Coley Shooting School. This revealed some competitive spirit within the Castellum Cotswolds team… Jack Barton, our Project Manager, shot an impressive 41/50, just one point off the top score of the day. Rebecca on the other hand graciously received a generous participation award.

We also had the pleasure of hosting Webster Hart, Gunter & Co, SHH and Regency Grove at the Hurlingham Club’s annual polo event. It continues to be a successful event, with the day ending in the Pommery tent surrounded by much of the Prime Residential London community. A lovely breakfast followed at The Ox Barn in the Cotswolds, co-hosted with Cream & Black Interiors and joined by guests from BLDA, followed by an excellent networking event in Oxford hosted by Garringtons with another standout guest list.
Some of our London team (Lyndon, Dan, Tim, Mark, Flo, Ollie and Billy), went to an industry quiz night with LXA at The Folly and didn’t disgrace themselves and finally, we rounded out the month with our co-hosted London, Country, and Cotswolds collaborative breakfasts – one in London at Dovetale and one in the Cotswolds at Soho Farmhouse. These breakfasts are always a fantastic mix of client teams from up and down the M4 with the aim to aid with future collaborations.


Fifi, Jet and Lollie, not to be outdone by Reg and Jeff, have also been posing for photos this month.
On a final, and rather more serious note, our first aid training came to the fore this month; thankfully not on one of our sites. At Castellum we take Health and Safety very seriously indeed and, with that, we undertake a great deal of training and always have a First Aider or two on every project. In the Cotswolds, given the rural locations of our sites, we have recently installed AEDs on every project and many of our team have just had refresher training in using a defibrillator. Jack, one of our PMs, was called upon to help a young man in the gym who had collapsed. Jack is well known in the gym and he will modestly tell you that he was in the right place at the right time – but we all think he is a hero! Using the AED, Jack kept the chap alive until the air ambulance arrived. We are happy to report that he survived and the latest report was that he was recovering well in hospital. Go Jack!
